Unmaker, the 3rd album by Copenhagen's LLNN, is a stupefyingly unforgiving affair: abrasive and vile, at times effervescent and escharotic, and finally absolutely smothering, suffocating, terminal. LLNN burst onto the scene with 2016's critically acclaimed debut album "Loss“, a sheer display of "absolute raging rawness“, as Terrorizer put it... But there is more to their sound than that: „the wavering drone synths that are effortlessly merged with a raw hardcore-driven darkness define the subtle idiosycratic nuances of LLNN's very unsubtle, painfully overwhelming sound“ (The Sludgelord). After European tours with Bison, performances at festivals like Roskilde, Roadburn and Arctangent and a split EP with WOVOKA, LLNN returned with sophomore album "Deads“ in 2018, an album that felt more compact, yet more complex and organic all at the same time. The band further explored the coalescence of the guitar & bass - axis with keys player Ketil G. Sejersen's synth layers – a direction that is now further pursued on Unmaker. In fact, LLNN’s contemporary heaviness is not just “dense, suffocating tracks that build and crash“ or "buried vocals coming from under thick guitars and pounding drums” (Decibel): it’s also the very dominant synths that evoke the feel and vibe of dystopian, post-apocalyptic sci-fi movies, inspired by composers like Brad Fiedel, Vangalis, John Carpenter and Stanley Kubrick as much as by Sci-Fi / horror games like Silent Hill, Dead Space, Halo & Limbo.

"I’m obsessed with music that explores what sound can do to our body, to our mind, to our imagination. LLNN 's new album is one of the most overwhelmingly intense records I’ve heard in quite a while and the way it blends abstract ambient sounds, shattering rhythms and extreme noise is both hypnotic and powerful. The sense of sonic detail is staggering and for each spin I hear new elements, echoes, textures and my mind gets new visual associations. Sometimes it feels like the soundtracks of Apocalypse Now and Eraserhead has been melted together and blasted through a ferocious guitar amp - these songs have both a sense of impending doom and an extraordinary combination of raw energy and gritty beauty“ - Movie soundtrack composer award-winning Peter Albrechtsen

FOR FANS OF: NEUROSIS, CULT OF LUNA, CELESTE, ISIS, GODFLESH, THE BODY, AMENRA, LOVE SEX MACHINE, CONVERGE, CRYPTOPSY, YEAR OF NO LIGHT, Alien (soundtrack), Bladerunner (soundtrack), Arrival (soundtrack), Hereditary (soundtrack).